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16. BFI 2019 - Eastman, Antverp

Programs on stage
Date: 22 March 2019 20:00

Venue: Velika dvorana

Cena ulaznica: 3500 dinara

Eastman

Antverp, Belgija

Eastman

Antwerp, Belgium

Fractus V/Fractus V

 

koreografija/choreography: Sidi Larbi Cherkaoui

muzika/music: Shogo Yoshii, Woojae Park, Sidi Larbi Cherkaoui, Johnny Lloyd, Soumik Datta

asistent koregrafa/assistant choreographer, rehearsal director: Jason Kittelberger

rad na glasu/vocal coach: Christine Leboutte, Steve Dugardin

dramaturgija/dramaturgy: Antonio Cuenca Ruiz

tekst/text: Noam Chomsky (Manufacturing Consent: Noam Chomsky and the Media, 1992; Who Does Control the World?, BBC Interview, 2003), Alan Watts (The Mind, Tragedy & Hope, Youtube, 2014)

dizajn scene/set design: Herman Sorgeloos, Sidi Larbi Cherkaoui

postavka scene/set implementation: Patrick ‘Sharp’ Vanderhaegen, Martin Baarda

svetlo/light: Krispijn Schuyesmans

zvuk/sound: Jef Verbeeck

tehničar/technician: Mathias Batsleer

dizajn kostima/costumes design: Sumire Hayakawa

garderober/wardrobe: Elisabeth Kinn Svensson

tehnički direktor/technical director: Patrick ‘Sharp’ Vanderhaegen

tehnički koordinator/technical coordinator: Tom Van Aken

produkcija, menadžer turneje/production, tour manager: Arnout André de la Porte, Lars Boot

premijera/premiere: deSingel, Antwerp, 2015

trajanje/duration: 75’

igrači/dancers: Sidi Larbi Cherkaoui, Dimitri Jourde, Johnny Lloyd, Fabian Thomé Duten, Patrick Williams Seebacher (TwoFace)

živa muzika/live music:  Shogo Yoshii, Woojae Park, Kaspy N’dia, Soumik Datta

produkcija/production: Eastman (Antwerp)

koprodukcija/coproduction: deSingel (Antwerp), Dance Festival Steps (Zürich), Sadler’s Wells (London), PINA40 Wuppertal, Baerum Kulturhus (Oslo), Tanzhaus Nrw (Düsseldorf), Schauspiel Köln, National Arts Center (Ottawa), Wexner Center for the Arts at the Ohio State University, Ludwigsburger Schlossfestspiele, La Villette (Paris), Les Théâtres de la Ville de Luxembourg

uz podršku/with the support:  Vlaamse Overheid, Fondation BNP Paribas

zahvalnost/thanks to: Circuit-Est centre chorégraphique (Montreal), Espace Marie Chouinard (Montreal), Royal Ballet Flanders (Antwerp), Mercat de les Flors (Barcelona), Kazutomi ‘Tsuki’ Kozuki, Elias Lazaridis, Karthika Naïr, Guy Cools, office Eastman, technical team deSingel, ASICS l Onitsuka Tiger (Japan)

Za 40-godišnjicu rada Wuppertal Tanztheatera Pine Bauš (2014), predstavio sam kratku kreaciju. "Fractus V" je bio trio u kojem sam želeo da raspravljam o prelomu između pojedinca i društva. Komad je inspirisan tekstovima jevrejsko-američkog lingviste i političkog filozofa Noama Čomskog. Ako prevedem ​​ideje Čomskog za sebe, stičem uvid da: "jedini način na koji se pojedinac može zaštititi od političke i društvene propagande, jeste proučavanje svih dostupnih informacija. Svakodnevno smo bombardovani vestima koje pokušavaju da utiču na naše razmišljanje. To je intenzivna vežba da sve filtriramo i da se odupremo verovanju u ono što nam je rečeno da verujemo". Tražeći primarne pokrete na ivici tribalnog i folklora, ovaj kratak performans je podigao želju za daljim istraživanje, jer želim da produbim pitanja o informaciji i manipulaciji; propaganda u odnosu na "objektivniji" i činjenični pristup. Uzimam za polaznu tačku "slobodu izražavanja". Određeni tabui su u današnje vreme često slomljeni i određene istine su neosporne, ali nam i dalje nedostaje kapacitet da ih varimo ili stavimo u pravi kontekst. Zbog toga smo često gurnuti u mentalitet "mi protiv njih". Imamo informacije, ali ne znamo kako da ih koristimo. Pitanja koja sebi postavljam: "Čini se da se određene slobode i dalje moraju uokviriti? Koliko neutralno naše mišljenje može biti? Koliko se identifikujemo sa uzrocima nepravde u društvu? Gde počinje ili se završava lična odgovornost?". Osnovni izgovor Čomskog za "slobodu govora" protiv političkih pokušaja kontrole i manipulacije medijima, odgovara mojoj potrebi kao umetnika da stvorim prostor koji stalno i iznova otkriva svoj identitet. Ovaj neophodan proces obnove se ne ponavlja postepeno. To se dešava kroz radikalne frakture i mogućnost da se oslobodi prošlosti. Evolucija je kombinovani rezultat nebrojene serije malih i velikih revolucija. Svaki dan je obred prolaska, tačka bez povratka…Devet ljudi različitih nacionalnosti i porekla na sceni, će voditi do intenzivne, dramatične i tečne celine. "Fractus V" označava prirodne prelome, neophodne za rast i jačanje.

In 2014, I presented a short creation for the 40th anniversary of the Pina Bausch’s Wuppertal Tanztheater. “Fractus V”was a trio in which I wanted to discuss the fracture between the individual and society. The piece was inspired by the Jewish-American linguist and political philosopher Noam Chomsky’s texts. If I translate Chomsky’s ideas for myself, I gain the insight that: ‘The only way the individual is able to protect himself against political and social propaganda, is to study all the information available. Each day we are bombarded with news that tries to influence our thinking. It is a very intensive exercise to filter everything and to resist believing what we are told to believe.’ Looking for primary movements on the edge of the tribal and folklore, this short performance raised the desire for more. In “Fractus V”, I want to deepen the questions on information and manipulation; propaganda versus a more ‘objective’ and factual approach. I also take as a starting point ‘liberty of expression’. Certain taboos are often broken these days and certain truths are undeniable but we still miss the capacity to digest them or place them in the right context. Because of that we are often pushed in an ‘us versus them’ mentality. We have the information, but we don’t know how to use it. Questions I ask myself: ‘It seems certain freedoms still need to be framed? How neutral can our thinking be? How much do we identify ourselves with the causes of the injustices in society? Where does personal responsibility start or end?’ Chomsky’s fundamental plead for ‘freedom of speech’ against the political attempts to control and to manipulate the media, resonates with my need as an artist for a space to constantly reinvent my own identity. This necessary process of renewal doesn’t happen gradually. It happens through radical fractures and being able to let go of the past. Evolution is the combined result of an endless series of small and big revolutions. Every day is a rite of passage, a point of no return… Nine different nationalities and outspoken identities on stage, will dialogue to come to an intense, dramatic and fluent whole. “Fractus V” stands for the natural fractures, which are necessary to grow and become stronger.

 Sidi Larbi Cherkaoui

Koreografski debi Sidi Larbi Šerkauija bio je 1999. godine sa savremenim mjuziklom Endrjua Vejla, "Anonimno društvo". Od tada je stvorio preko 50 koreografskih radova i dobio niz priuznanja, uključujući dve nagrade Olivije, dve Balett Tanz nagrade za najboljeg koreografa (2008, 2011) i nagradu Kairos (2009) za umetničku viziju i interkulturalni dijalog. Prvi komadi Šerkauija kreirani su za Les Ballets C. de la B. - "Rien de Rien" (2000), "Foi" (2003) i "Tempus Fugit" (2004). Uporedo je preuzimao i paralelne projekte, koji su jačali njegovu umetničku viziju; "D'avant" (2002) sa umetničkim partnerom Damjan Žaleom za trupu Saša Valc i gosti, i "zero degrees" (2005) sa Akramom Kanom. Radio je sa velikim brojem baletskih kompanija, pozorišnih i operskih kuća. Od 2004-09. godine, sa sedištem u Antverpu, bio je stalni umetnik Toneelhuis-a i kreirao komade "Mit" (2007) i "Poreklo" (2008). Godine 2008, premijerno je prikazao "Sutra" u Sadlers Velsu. Nakon prve narudžbine iz SAD, komada "Orbo Novo" za Cedar Lake, i serije dueta, od kojih su "Faun" i "Dunas" nastali sa flamenko igračicom Marijom Pažes (2009), pokrenuo je svoj Eastman sa sedištem u antverpskom deSingel-u. U proleće 2010. godine ponovo je radio sa koreografom Damjenom Žaleom i Antonijem Gormlijem kako bi napravio "Babel" sa kojim osvaja “Olivijea”. Iste godine stvara duete "Uzde", "Igra" i "Veza". Godine 2011, potpisuje komade "TeZukA" i "Lavirint" (Holandski nacionalni balet). Godine 2012, komad "Puz/zle", mu donosi drugu po redu nagradu Olivije. Iste godine potpisuje koreografiju za film "Ana Karenjina", Džoa Rajta. Godine 2013, premijerno prikazuje "4D" i "生 长 genesis" (Eastman), "Bolero" (sa Damjenom Žaleom i Marinom Abramović, za Balet pariske Opere) i komad "milonga" (Sadlers Vels). Godine 2014, kreira "Noetic" za Kompaniju igre Opere u Geteborgu, komad "Milost" za Nataliju Osipovu i Ivana Vasiljeva, i režira svoju prvu operu "Shell Shock" za La Monnaie, na muziku Nikolasa Lensa i po tekstu Nika Kejva. 2015. godine napravio je trio "Harbour Me" za trupu L.A. Dance projekat, kao i koreografiju nove verzije baleta "Žar ptica" za Balet Štutgarta. Iste godine nastao je "Fractus V" za Eastman, predstava u kojoj i sam igra. Godine 2015, Šerkauji postaje umetnički direktor Kraljevskog flamanskog baleta, gde potpisuje radove "Jesen" (2015), "Slike sa izložbe" (2016) i "Rekvijem" (2017). On kombinuje ovu funkciju sa titulom umetničkog direktora Eastman-a, ali i nastavlja da pravi nove komade, poput tria "Qutb" (2016) koji je naručila Natalija Osipova, opere "Galantna Indija" (2016) za Nemačku državnu operu, "Satiagraha" (2017) za Pozorište Bazel, "Ikona" (2016) za Kompaniju igre geteborške Opere i "Mozaik" (2017) za Kompaniju Marte Grejem. Šerkauji je takođe saradnik londonskog Sadlers Velsa.

Sidi Larbi Cherkaoui’s debut as a choreographer was in 1999 with Andrew Wale’s contemporary musical, “Anonymous Society”. Since then he has made over 50 choreographic worka and picked up a slew of awards, including two Olivier Awards, two Ballet Tanz awards for best choreographer (2008, 2011) and Kairos Prize (2009) for artistic vision and intercultural dialogue. Cherkaoui’s initial pieces were made at Les Ballets C. de la B. – “Rien de Rien” (2000), “Foi” (2003) and “Tempus Fugit” (2004). He undertook parallel projects that both expanded and consolidated his artistic vision; “D’avant” (2002) with artistic partner Damien Jalet at Sasha Waltz & Guests company and “zero degrees” (2005) with Akram Khan. He has worked with a variety of theatres, opera houses and ballet companies. From 2004-09, he was based in Antwerp as artist in residence at Toneelhuis which produced “Myth” (2007) and “Origine”(2008). In 2008 he premiered “Sutra” at Sadler’s Wells. After his first commissioned piece in USA, “Orbo Novo” (Cedar Lake) and a series of duets such as “Faun”and “Dunas” with flamenco danser María Pagés (2009), he launched his own company Eastman, resident at Antwerp’s deSingel. Spring 2010 saw him reunited with choreographer Damien Jalet and Antony Gormley to make “Babel” which won an Olivier. That same year he created duets “Rein”, “Play” and “Bound”. In 2011 he created “TeZukA” and “Labyrinth” (Dutch National Ballet). In 2012 “Puz/zle”, gaining him a second Olivier. That year he also collaborated with Joe Wright on his film “Anna Karenina”. In 2013 he premiered “4D” and “生 长 genesis” (Eastman), “Boléro” (with Damien Jalet and Marina Abramović, for Paris Opera Ballet) and “m¡longa” (Sadler’s Wells). In 2014, he created “Noetic” for Dance Company of Goteborg Opera, “Mercy” for Natalia Osipova and Ivan Vasiliev, and he directed his first opera “Shell Shock” for La Monnaie, with music by Nicholas Lens and text by Nick Cave. In 2015 he made a trio “Harbor Me” for the L.A. Dance Project, and choreographed a new “Firebird” for Stuttgart Ballet. In the same year, he created “Fractus V” for his company Eastman, in which he also performs. Since 2015, Cherkaoui assumed the role of artistic director at the Royal Ballet of Flanders, where he has created “Fall” (2015), “Pictures at an Exhibition” (2016) and “Requiem” (2017). He combines this function with his title as artistic director of Eastman and keeps creating new work along with the artistic entourage of this company, for example “Qutb” (2016), a trio commissioned by Natalia Osipova, the operas “Les Indes Galantes” (2016) for the Bayerische Staatsoper and “Satyagraha” (2017) for Theater Basel, “Icon” (2016) for Dance Company of Goteborg Opera and “Mosaic” (2017) for Martha Graham Dance Company. Cherkaoui is also associate artist at Sadler’s Wells, London.

Osnovan 2010. godine, Eastman je zamišljen da proizvede i promoviše opus svog umetničkog direktora i koreografa Sidija Larbija Šerkaujia. Rad ovog autora pruža publici širok spektar projekata i saradnji; od savremene igre, pozorišta, baleta, opere, mjuzikla, do različitih oblika prerformansa. Njegovo nehijerarhijsko razmišljanje o pokretu, jeziku tela i kulturi je osnova njegovog umetničkog pristupa. Delujući u Šerkaujievom rodnom Antverpenu, Eastman predstavlja polaznu tačku njegovih kreacija. Eastman je stalna trupa deSingel-a u Antverpenu.

Founded in 2010, Eastman was set up to produce and spread the work of artistic director/choreographer Sidi Larbi Cherkaoui. His work provides the audience with a vast array of projects and collaborations; ranging from contemporary dance, theatre, ballet, opera, musical and other forms of performance. His non-hierarchical thinking on movement, body language and culture is the basis of his artistic approach. Set in his native harbor city of Antwerp, Eastman forms the central point for all of Cherkaoui’s work. Eastman is resident at deSingel in Antwerp. 

 

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